(Michael) Man(n), This Is A Great Action Film!!! // Collateral Review

Plot Synopsis:

A cab driver (Jamie Foxx) finds himself the hostage of an engaging contract killer (Tom Cruise) as he makes his rounds from hit to hit during one night in Los Angeles. He must find a way to save both himself and one last victim.
Also starring Jada Pinkett Smith and Mark Ruffolo.

Directed by Michael Mann, written by Stuart Beattie.

Official Trailer:

Full Review:

After the atrocities of The Art Of The Steal, which was my last feature film review (read it HERE), I bring to you Collateral in all of it’s guns-blazing glory. And to be fully honest, this may come as a surprise but, this is actually one of my favourite action films of all time. Why? Read the bloody review! But essentially, I love it because of it’s simplicity, meaningful characters, and unforgettable bad-ass action sequences! Allow me to elaborate on all of these points:

Just to clarify, the reason why I thought the fact that Collateral is my favourite action flick may be surprising is because, in my opinion, it’s quite underrated! You hardly see it among many Top 10 lists and it’s not lauded as a modern cinematic masterpiece either. Granted it isn’t a masterpiece, but I believe that it’s so damn good it has become incredibly hard for me to ignore ever since my first viewing. And since then, I’ve re-watched the holy bajeezus out of this and I’m ready to give you my thoughts in full!

First off, this is exactly how action should be filmed. You won’t see any stupid shaky cam, where it’s so vigorous you can’t even make out any details in the scene. Instead, director Michael Mann (Heat, The Insider) treats you with clear, crisp action that’s intense and fast paced, which successfully grips you tightly and shows no signs of letting go. And better yet, it is astoundingly brutal and feels real. Unlike Rambo or Terminator 2: Judgement Day, the set pieces aren’t over the top nor are they specifically designed to boost your testosterone. Each sequence serves to lure us to the extreme edges of our seats as well as enhancing character development and progressing the tricky predicament they find themselves in.

Whilst I’m on the topic of characters, the ones in Collateral are fully fleshed out and are actually interesting! Throughout the film, you are intrigued by Tom Cruise’s (Top Gun, Jerry Maguire) character Vincent & his elusive background, and you feel incredibly sympathetic towards Max who is played by Jamie Foxx (Ray, Django Unchained). Both characters are played extraordinarily by their respective actors as you’d expect from these two mighty fine gentlemen. In fact, the acting was so good, The Academy even offered Foxx an Oscar nomination for Best Supporting Actor for his sublime performance!

And I have to say that I was shocked that Cruise didn’t get the same treatment since this is genuinely the best performance of his career. End of.. He’s not just a set of cheekbones in this film; he’s meticulous, commanding, and is absolutely hellbent throughout. For someone who doesn’t usually play this kind of role, Cruise is in complete control from start to finish. You could even call it ‘Cruise Control’!!! No? Let’s move on…

From directing to acting, let’s talk about the writing. Stuart Beattie (Pirates Of The Caribbean, G.I. Joe: The Rise Of Cobra) writes a terrific screenplay despite not having the best of track records. The dialogue is engaging when the film switches from bullets upon bullets to serious drama that, although allows you to breathe between action scenes, reels you even more through further character development. And as I said at the beginning of the review, this is a film that’s very simple in concept and in execution. A killer is escorted around town by a taxi driver being held hostage. Done! That’s all you need to know about the plot. There isn’t a ton of sub-plots or hidden meanings you need to worry about, therefore your overall experience is a lot more engrossing. And of course, as mentioned previously, the characters are written with such depth it really adds a lot more substance to an otherwise generic plot.

Speaking of generic, that’s probably my only complaint. At times, the story seems a bit reciprocal in how it all unfolds. Particularly the third act, the film will feel reminiscent of other similar (but not as fascinating) action films. But nevertheless, I wasn’t bothered by this the first time round simply because I was so invested in the film I didn’t think much of it. You know you’ve got a good film when you can make an audience member shut up and forget about any evident problems purely through what’s being shown on screen! Despite seeming familiar, it’s execution is fierce and unlike anything you’ve seen beforehand.

Collateral is not only a tense thrill ride, it’s an intriguing story that revolves around people. Wait… a film that focuses on characters?! Preposterous! That’s uncommon amongst most action films! Trust me mate, that’s a plus point about this film; not so much for Hollywood! This is an atmospheric noir sensation that is as exciting as it is compelling. It has somewhat undeservedly flown under the radar over the years, so don’t let it shoot past you if you haven’t seen it already.

Fergie’s Final Fifteen:

Visceral and thrilling action, with engaging drama and intriguing characters. An under-rated tour de force.

Rating:

A

Guys, if you’d be so kind, I need you to share this review to your friends, family, neighbours, strangers, pets, sex slaves, ex girlfriend’s mother, and many more people! We need to bring this film back into popularity and make it worth talking about!!! Sure, it seems unlikely given the fact that this is, as of yet(!), a small scale blog but we need determination and dedication. And besides, sharing this for the sake of it would be helpful too; it would make my day!

Oh, and one more thing. I’m not sorry for the pun in the title. If anything, I’m very proud of it!

 

Sunshine // Shining Spectacle or Dim Lit Disappointment?

Plot Synopsis:

50 years into the future, the Sun begins to die, and Earth is dying as a result. A team of astronauts are sent to revive the Sun – but the mission fails. Seven years later, a new team are sent to finish the mission as they are Earth’s last hope. Starring Cillian Murphy, Rose Bryne, and Chris Evans.

Official Trailer:

Full Review:

Following last week’s review of The Dark Knight, which I considered to be a perfect film (find out why here), I thought I would review Sunshine. Why? Because Sunshine should’ve been perfect but ultimately it wasn’t. So how can a film from living legend Danny Boyle, director of Trainspotting and 28 Days Later, be anything less than expected? The answer to that question rests in this article.

Don’t get me wrong, this is a GREAT film. And I mean a REALLY great film. I’ve seen a lot of Sci-Fi films over the years and this is one of the most thrilling and nail biting films I’ve seen in this genre. So what’s the problem? Well first, let’s start with the positives because there is plenty of good points to talk about!

With Danny Boyle behind the camera, of course this is going to be a good looking movie. In fact, the film looks fantastic! The direction is very crisp and concise and every scene has such a strong sense of emotion. It is an incredibly intense experience too, so make sure you don’t have any Red Bull before you watch this film! Sunshine oozes with incredibly powerful scenes that will stick with you long after the end credits have stopped rolling.

I also feel that this is a film worth analysing and studying. There are many films out there which are replayed over and over again in many film schools such as Citizen Kane and Casablanca, with students picking apart every detail trying to decipher what the significant purpose of a character’s actions are. This is one of those films. I’ve seen many online film lovers debate over the philosophical meanings of certain scenes in Sunshine, and that’s for a good reason. Because there’s a lot of unanswered questions which delve into the psychology of each character, particularly Cillian Murphy’s character, as well as larger than life questions about the mysteries of the universe and the human race. I will leave you guys to make up your own mind about the film’s hidden meanings when you see it!

Speaking of Cillian Murphy, he gives a really good performance as Robert Capa. Not the famous war photographer but instead the spacecraft’s go-to physicist. He gives a really enigmatic, cold to the core style of performance, unflinching about the possibility of dying in an attempt to save mankind. How nice of him, eh?! Chris Evans’s Mace is the hot headed leader of the crew who is played with vigorous amounts of energy and his emotional instability is a perfect contrast to Cillian Murphy’s cool-as-a-cucumber character.

And the special effects are, if you excuse the very obvious pun, out of this world! Achieved with a budget of £20 million (roughly $35 million), the visuals are simply stunning and put many Hollywood films to shame. Just look at the trailer if you don’t believe me! And yes, the trailer has the absurdly overused music from Darren Aronofsky’s Requiem For A Dream playing in the background but don’t let that influence your opinion of the score heard in the movie. John Murphy’s score is filled with such raw emotion from beginning to end and this film wouldn’t be as intense and dramatic as it is without this glorious soundtrack. I immediately bought it on iTunes after I first saw this!

Now for the big question, what’s the problem? For what sounds like one of the best sci-fi films to be released in the past decade, I must be mad to say otherwise. But to my dismay, there is one major flaw that stops me from wholeheartedly loving this film and I believe some of those who have seen this film may already know what I’m eluding to. And that is a certain plot point involving a certain someone at a certain point in the film. Since I don’t want to spoil this film for anyone, I won’t say too much because it is a major revelation which I want you guys to experience for the first time.

But I will say that it is a pointless revelation. I personally felt it wasn’t necessary in the slightest; only put in to elevate the already sky high intensity near the end of the film. There was no need for this element of the storyline to be introduced as the film was already doing fantastic without it. And to be honest, it kind of annoyed me when I first saw the film since up until the revelation was made, Sunshine shot its way into my favourite films of all time. But unfortunately, it was at that point it fell from grace. And I absolutely hated the fact that it did. It left a third degree burn to my movie loving heart, which has since been treated by recent Sci-Fi epics such as Inception and Gravity. Damn you Mr. Boyle!

Overall, this is a thrilling, spectacular Science Fiction film illuminated by nerve shredding intensity and truly tear jerking scenes. But alas, the nonessential side story has scorched my final verdict and that really p*sses me off!

Fergie’s Final Fifteen:

A mesmerising Sci-Fi of intergalactic proportions. But went one step too far. Still highly recommended.

Rating:

B+

This could’ve been a straight up A+ but I was so irritated by the “you know what”, it has subsequently brought down my mark. I still urge you to see this, but you have been warned!